Famous Historic Glass Engravers You Must Know
Glass engravers have been very competent craftsmen and artists for hundreds of years. The 1700s were especially notable for their accomplishments and appeal.


As an example, this lead glass goblet shows how etching incorporated design patterns like Chinese-style concepts right into European glass. It also highlights how the skill of a great engraver can generate illusory deepness and aesthetic appearance.

Dominik Biemann
In the very first quarter of the 19th century the standard refinery area of north Bohemia was the only place where naive mythical and allegorical scenes etched on glass were still in vogue. The cup pictured here was etched by Dominik Biemann, who specialized in small pictures on glass and is considered as among the most important engravers of his time.

He was the son of a glassworker in Nové Svet and the bro of Franz Pohl, one more leading engraver of the period. His work is qualified by a play of light and darkness, which is specifically obvious on this goblet displaying the etching of stags in woodland. He was additionally recognized for his work with porcelain. He passed away in 1857. The MAK Museum in Vienna is home to a large collection of his jobs.

August Bohm
A significant Nurnberg engraver of the late 17th century, Bohm dealt with delicacy and a feeling of calligraphy. He etched minute landscapes and engravings with bold official scrollwork. His job is a precursor to the neo-renaissance style that was to control Bohemian and other European glass in the 1880s and beyond.

Bohm embraced a sculptural sensation in both alleviation and intaglio engraving. He exhibited his proficiency of the last in the finely crosshatched chiaroscuro (watching) effects in this footed cup and cut cover, which shows Alexander the Great at the Fight of Granicus River (334 BC) after a paint by Charles Le Brun. Despite his significant ability, he never ever attained the fame and lot of money he sought. He died in penury. His partner was Theresia Dittrich.

Carl Gunther
Regardless of his vigorous job, Carl Gunther was a relaxed man who delighted in spending quality time with family and friends. He enjoyed his everyday ritual of visiting the Collinsville Elder Facility to take pleasure in lunch with his buddies, and these minutes of sociability supplied him with a much needed respite from his demanding job.

The 1830s saw something fairly phenomenal take place to glass-- it ended up being colorful. Engravers from Meistersdorf and Steinschonau developed highly coloured glass, a taste known as Biedermeier, to meet the demand of Europe's country-house courses.

The Flammarion engraving has actually ended up being a symbol of this new preference and has shown up in publications devoted to scientific research in addition to those exploring necromancy. It is additionally discovered in numerous gallery collections. It is believed to be the only making it through example of its kind.

Maurice Marinot
Maurice Marinot (1882-1960) started his profession as a fauvist painter, but came to be fascinated with glassmaking in 1911 when visiting the Viard siblings' glassworks in Bar-sur-Seine. They offered him a bench and taught him enamelling and glass blowing, which he understood with supreme ability. He created his own methods, making use of gold flecks and manipulating the bubbles and other natural flaws of the product.

His technique was to deal with the glass as a living thing and he was one of the very first 20th century glassworkers to utilize weight, mass, and the aesthetic result of all-natural problems as aesthetic elements in his works. The event shows the considerable effect that Marinot had on modern-day glass production. Regrettably, the Allied bombing of Troyes in 1944 destroyed his studio and countless illustrations and paints.

Edward Michel
In the early 1800s Joshua introduced a design that mimicked the Venetian glass of the period. He used a method called ruby factor inscription, which involves scratching lines into the surface of the glass with a difficult steel apply.

He also developed the first threading device. This development permitted the application of long, spirally injury trails of color (called gilding) on the main body of the glass, an important function of the glass in the Venetian style.

The late 19th century brought new style ideas to the table. Frederick Kny and William Fritsche engraved quotes on glass both operated at Thomas Webb & Sons, a British business that focused on excellent quality crystal glass and speciality coloured glass. Their job reflected a preference for classical or mythical topics.